Exhibit LIII |
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Byways II |
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…Two
roads diverged in a wood, and I - Whether
Robert Frost, in his poem The
Road Not Taken, was in earnest or perhaps being cynical, this
writer always prefers to take the way less traveled, whenever possible.
(Our lives seldom permit us to travel on byways exclusively, but I believe
that it’s a lot more doable, and desirable, than we often realize.) Even if his choice might have made a difference, Frost would not have gone far wrong no matter which way he chose, in my opinion, as both, being located in a wood, qualified as a byway, and thereby would have encouraged a slower, more reflective and altogether more enjoyable experience than if had he headed out of the wood and onto a busy highway.
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Linden Allee, Monea Castle, Fermanagh, Ireland, 2 June 2008. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Taking
a byway is, figuratively as well as literally, as much a matter of time as
it is of distance. But slower is not always less productive and often
it’s more enjoyable. Andre Moreau expressed this sentiment well in the
1952 movie, Scaramouche: Happy is the rascal, traveling
life’s byways, to whom the gods say, here is an easy switch. You may
have lost Diana on the highway, but look, there is Aphrodite in a ditch. Put
another, pleasantly persuasive way by Flora Thompson, in A
Country Calendar: I never, if I can avoid it, set
foot upon the highway, but, as soon as my work is done, drop over the
orchard wall, cross my neighbour’s valley farm, climb the opposite hill,
and there, upon the upland heath, I have all the solitude heart could
desire. Come, then, with me over my “orchard wall” and set foot, for a quiet moment, upon some of the byways of the world which I have found so refreshing through the years…
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