Exhibit XXV

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1 September - 30 November 2008

Dedicated to my always encouraging sister-in-law, Lois Gullans Huckins

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Salon des Refusés

     Stoicism

A wave to the neighbor,

as the mailbox vomits
yet another rejection.

C.A. Huckins, 2003


     The idea for this exhibition came directly from the Salon des Refusés conducted by the Phillips Mill Photographic Exhibition (PMPE) in New Hope, Pennsylvania (www.PhillipsMill.org). I would like to express here my great admiration for its spirited undertaking of this very encouraging initiative.

     PMPE initiated its Salon des Refusés (literally, "exhibition of rejects") in 2007, hanging and selling for a brief period all the images that were not selected by the jurors for the regular annual

The Light Above. Cabildo, Catedral de Sevilla, Spain. 1998 © Charles Albert Huckins

photographic exhibition. Presumably, the idea for the PMPE endeavor was inspired by the practice begun in 19th century France in response to the rejection of so much avant-garde art by the artistic establishment of the day. Whatever the particular reasons for the rebirth of this idea at PMPE, I applaud it heartily.

     Having had the honor of having some of my own work accepted in the Phillips Mill Photographic Exhibition, as well as other very competitive exhibitions, I am quite aware of how little work produced today is available for viewing through current traditional means of exhibition (in my experience, from not much more than five percent to less than one percent!). Surely, more good work would be exhibited if only more space or time were able to be devoted to it. The concept of "salons des refusés" is a step in the right direction, in my opinion.

     Consequently, and in the spirit of eating some of my own cooking, I am making available for viewing here some of my own "rejects." Each of the works available for viewing in this exhibit has had at least several opportunities to be selected for juried exhibitions throughout the world over the past six years, without any success. Although I readily concede that there must have been too many more interesting or worthy works available for jurors to select, I still find these "rejects" dear to me and, now with PMPE's unwitting encouragement, I'm happy to make them available for your own evaluation and, hopefully, enjoyment!

Discussion of Individual Images

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